
autumn leaves
and winter-flowering camellias
coexist in my garden . . .
freesias are budding
today it feels like spring
Julie Thorndyke

autumn leaves
and winter-flowering camellias
coexist in my garden . . .
freesias are budding
today it feels like spring
Julie Thorndyke

Julie Thorndyke

one-by-one
bright beads on the abacus
are slid home—
the changing pattern
of my daughter’s bookshelves
Julie Thorndyke

the thin whistle
of mum’s breakfast kettle
. . . bare toes on lino
school milk
striped paper straws
pleated into submission
half-yearly report
my frosty teacher
thaws
red cheeks
stung by sun and wind
our long walk home
shortest day
dad’s chaffed hands
light the gas fire
Julie Thorndyke



Planning the book launch for Waiting for the Night, I had fun thinking of activities related to the book that children might enjoy.
I’m putting some ideas here that teachers may like to use with their classes, after reading the book together.
Please click on the links below to open the PDF files.

Hope you have lots of fun Waiting for the Night!

So pleased to be one of the 159 poets from across Australia whose work was chosen to be in this anniversary anthology from Ginninderra Press.
It promises to be an exhilarating and often surprising foray into the many facets of ‘wild’ — human, animal, environmental and metaphorical.
http://www.ginninderrapress.com.au/wild.html
More information about the anthology here: Wild

tears roll
as pearls spilled
from a string—
an indigo sky
flashed with lightning
well-rounded vowels
of alto melody
ascending—
swaddled in a shawl
of homemade lullabies
silver-topped
milk bottles dotted
with dew—
winter breakfasts
sunlit with sugar grains
even white loops
of baby-yarn slide
on tortoiseshell needles
pale cakes rising
in the gas oven
a child wakes
to the sound of dishes
and quiet footsteps—
morning hymns
on the wireless
Julie Thorndyke

Waiting for the Night began as a 195 word student assignment in 2008 for Libby Hathorn’s class on children’s literature in the Master of Creative Writing course at the University of Sydney.
It was only when I was clearing out some old files two years ago that I found the draft and decided it was worth revising. I spent a little time re-writing before sending the manuscript around to publishers.
Interactive Press (IP) responded with a positive email in 2016. The search for a suitable illustrator began. Early in 2017, Anna Seed and I signed a publishing contract with IP, and Anna began creating her vibrant illustrations.
The text went through many further drafts, changes and revisions in consultation with IP editor and publisher Dr David Reiter and illustrator Anna Seed. The flying fox was particularly troublesome! And many rewrites ensued.
At last, in March 2018, ten years after the first version, here is the cover for the published book. I hope that you and your little people will enjoy Waiting for the Night.

beach picnic—
each cleansing raindrop
baptises the new year
Julie Thorndyke

A String of Christmas Memories by the Tanka Huddle 2017
granny and me
stirring dried fruits
and brandy . . .
one nip for gran
one for the pud
Marilyn Humbert
at the mall
for photos with santa—
I yearn
for a star-filled night
and choirs of angels
Jan Foster
it’s forty degrees
and mum’s had enough
christmas
crackers snap
around the table
Carolyn Eldridge-Alfonzetti
christmas
meant rum and plum cake
childhood memory
of our annual trip
to Cochin bakery
Rugmini Venkatraman
christmas eve
we toss and turn
quiet . . .
mum fills the stockings
we pretend to sleep
Karen Lieversz
reindeer puppets
pranced on polystyrene snow
but the tug
on my heart-strings
was absolutely real
Julie Thorndyke
green icing
on the christmas cake
and a frill
make all the difference—
mum comes home this year
Laura Davis
sunshine and sleigh bells
holly and magpie song
carols under stars
the customs learned in childhood
swim united in my mind
Beverley George
broken nails
and roughened hands
massaged
by the sweet balm
of a christmas-ready house
Anne Benjamin
three-penny
and six-penny pieces
stored all year
polished up in time for us
to polish up the pud
Carmel Summers
[Copyright of each individual tanka remains with the poets.]