Borrowed Riches

Over twenty years or so of writing tanka, my notebooks overflow with poems.

Some have been published in journals and anthologies, some have remained in notebooks or ventured out in email shared with other poets.

Now and then, it seems like a good idea to put the accumulated poems into a little book, as a kind of record of the writing experience, of the life that provoked the words, and of time passing.

Borrowed Riches is the third such little book that I have put together. It contains one hundred tanka written over about a decade. Once again Ginninderra Press has kindly published the collection.

I hope that you will enjoy the poems.

To order from Ginninderra Press, click here

Reviews of Borrowed Riches

Blithe Spirit: journal of the British Haiku Society Volume 33 Number 1 2023 pp 91-92                        review by A.A. Marcoff

This is a little gem, a little book of 100 tanka, one to a page, by a well-practised hand, editor of Eucalypt: a tanka journal since 2017. Tanka (or waka) originally meant ‘short Japanese song’, and Julie Thorndyke’s poems really do read like songs, and sing form the page with all the music of time and existence. Her tanka are accessible, the very stuff of life and death, and they show a shining generosity of spirit. They share with the reader so much of Julie’s own life and ‘her singing heart’ – a life lived with all the vitality available to us—the whole panoply of experience.

In these pages you will find a 747, a teacher’s blackboard, an owl, a sister and a mother, lost love, red camellias, stars, a train, a paradox, a bowling alley, a father, wedding vows, jacaranda petals, a quilt, silence, laughter and friendship. The poems move and delight and echo through the valleys and hills of our own existence. William Blake might have called them ‘the productions of time’ :   

the stillness
of this evening lake
we remember
what it is
to stop, listen, wait

Julie invites us into her life to do just that, and she shows us that we are all interconnected:

no matter
on what cliff I stand
salt winds
tell me we are all
part of one ocean

The book’s title, Borrowed Riches, suggests how fragile remains our purchase on this world, how fleeting and transient our presence here. We are left with ‘dream-echoes and life-songs’ and Julie’s work ‘yields a story of flame and ash’.  Perhaps all we can do in the circumstances of this life is to ‘feel the breeze kiss the ocean’. It is a shared experience:

have you not learned
tomorrow comes, regardless?
lie with me, my love
and dream
on this shared pillow

Julie gives us a book that manifests the world in miniatures, that offers us tableaux of emotion, scenes from the reality of dreams, colloquies of experience expressed with all the possible vitality of being. It is a fine book indeed, truly authentic, translucent, and it will repay many more readings, all within her lingering, compelling, and resonant spell.

review by A.A. Marcoff

Bimbilla

poem published in The School Magazine ORBIT MAY 2021

The School Magazine

So pleased to see my poem BIMBILLA in The School Magazine ORBIT May 2021 with a vibrant illustration by indigenous artist Leanne Watson.

This poem is a tanka sequence, written in 2006. In the same year, I wrote a short story for children with the same title, Bimbilla. Bimbilla is a Worimi word for a pink cockle shell. I discovered the word on an information sign at a beach north of Port Stephens, New South Wales, where the story and the poem are set.

So often a visit to a place, and encounter with an object or word, will provoke some new writing.

https://www.bushcamp.com.au/gallery/dark-point-middens/

My story was a finalist in the Ginninderra Press short story for children competition, and was published in the anthology SECRETS. That was the beginning of my association with Ginninderra Press who have published my two tanka collections and two fiction books (Mrs Rickaby’s Lullaby 2019 and Divertimento 2021).

The short story BIMBILLA is available to read here on my website. https://juliethorndyke.com/2016/05/27/bimbilla/

I’d love it if an indigenous artist would collaborate with me to make an illustrated book of the story. Writing is a long game, and publication sometimes comes after a long time. A story like this has longevity, and I think there is still more to come.

All aboard!

Last Train Home edited by J. Pearce, 2021.

There’s something romantic, mysterious and exciting about a rail journey. The cover of this new anthology, Last Train Home, captures the feeling so well. Canadian poet Jacqueline Pearce has selected around 600 short form poems including haiku, tanka and rengay, all addressing the theme of trains and train journeys.

Who among us didn’t enjoy playing with a toy train in our childhoods? Who hasn’t responded to the atmospheric film scenes of arrivals and departures on a fog-shrouded railway station? Who doesn’t long for the thrill and excitement of a new journey into the unknown?

I’m delighted to be included in this new book, with a fanciful tanka written in response to a literary favourite. I hope that you will come on a journey with the many wonderful contemporary haiku, tanka and rengay poets represented in this book.

The whistle is sounding . . . all aboard!

From my Memory’s Treasure

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tears roll
as pearls spilled
from a string—
an indigo sky
flashed with lightning

well-rounded vowels
of alto melody
ascending—
swaddled in a shawl
of homemade lullabies

silver-topped
milk bottles dotted
with dew—
winter breakfasts
sunlit with sugar grains

even white loops
of baby-yarn slide
on tortoiseshell needles
pale cakes rising
in the gas oven

a child wakes
to the sound of dishes
and quiet footsteps—
morning hymns
on the wireless

Julie Thorndyke

Date Stamp

date due

September gone
and another birthday
I pause
before turning the fourth
corner of the year

these book-lined walls
all thought, every emotion
contained
on my calendar I schedule
a day to run free

last day of term
locking the library door
on silence
I check myself out
for a long, long loan

Julie Thorndyke

(Tanka Splendor Winner 2006)